Theory of Musical Composition Volume 2; Treated with a View to a Naturally Consecutive Arrangement of Topics book
Theory of Musical Composition Volume 2; Treated with a View to a Naturally Consecutive Arrangement of Topics book

Theory of Musical Composition Volume 2; Treated with a View to a Naturally Consecutive Arrangement of Topics by Gottfried Weber
Theory of Musical Composition Volume 2; Treated with a View to a Naturally Consecutive Arrangement of Topics
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Author: Gottfried Weber
Page Count: 134 pages
Published Date: 01 May 2012
Publisher: Rarebooksclub.com
Publication Country: Miami Fl, United States
Language: English
Type: Pdf
ISBN: 9781231124079
File Name: Theory.of.Musical.Composition.Volume.2;.Treated.with.a.View.to.a.Naturally.Consecutive.Arrangement.of.Topics.pdf
Download Link: Theory of Musical Composition Volume 2; Treated with a View to a Naturally Consecutive Arrangement of Topics
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This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1851 Excerpt: ...part. Transition-tones of this sort may be termed initial or commencing transitions. As, in such a case, there is of course no secondary connexion with a preceding note, so, on that very account, the relation which the transition-tone hears solely and exclusively to the following note is so much the more intimate. This particularly intimate and exclusive relation is consequently also a principal cause why the chromatic approximation of transition-tones to their principal note is especially appropriate to such transitions; inasmuch as such an approximation of the secondary tone promotes its close adherence to the principal tone. We have thus an explanation of the fact, that, in the passage just cited, in fig. 731, the chromatically approximated fore-note dtt is much more natural and appropriate than would he the tone d belonging to the scale. 411. Those transition-tones with which a part re-commences or continues on, after a longer or a shorter rest, or after a pause, though not indeed exactly like those transition-tones with which a part at first makes its commencement, still are in the most essential points quite similar. Such, for example, are the Each of these tones, if not the first of an entire series, still is a tone with which a heretofore unbroken series re-commences. (B.) TRANSITIONS OCCURRING BT SKIPS. 412. Other transitions, again, although not the first of a series, still hold a connexion with the preceding tone, only by skips. Of this kind are the tones git, att, and fx, in fig. 733: (Fig. 733.) (The explanation of the tone ctt which occurs in the second measure, as well of the Tit in the fourth measure, may be seen in 446.) We may distinguish this sort of fore-notes by the name skipping fore-notes or skipping transitions. T...

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